The bad economic situation causes the owner of a fish shop, Kateřina Udadná, to declare bankruptcy. The woman is devastated because she has worked hard all her life. She unexpectedly receives a letter from America from a certain Jonn Sam, who informs her that he is coming to Europe, where he intends to settle down. He brings her news about the inheritance that Mrs. Kateřina is to receive from his deceased uncle.

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Vinod (Master Raghu) and Anitha (Devi) are classmates in school and have their own private problems. Vinod's stepmother wants to seduce him, and Anitha is an illegitimate child that her mother never wanted. On a rainy day they take shelter in a train wagon, which starts moving before they could get out and stops next in a forest area a long way away from home. There, they find a couple of recluses - a widow and an ex-army officer - living their own lives and willing to accept them. As they were in early puberty they live like normal children. But as puberty stage starts, both experiences lust over each other. The widow accepts them as foster children and perform their marriage, but fate intervenes as an incurable disease for Anitha.

Zdeněk Zaoral began filming this film in semi-amateur conditions, but it was eventually completed in a Zlín studio and released in cinemas. At its time, in the second half of the 1980s, it was the first completely open and also unusually raw statement about the course and consequences of drug addiction. The story of an eighteen-year-old girl who tries to escape her habit shows documentary values ​​- both in the staging and in the speech of the individual characters, in the authenticity of the drug-addicted environment.

A story about family ghosts, wild pigs and the end of the world, which we all imagine differently. The drama Wilderness is an existential grotesque about building and breaking down family myths, love, memory and impermanence.

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Set in Chelsea, London, an agony aunt named Kate Graham works as a newspaper columnist where she gives advice to readers dealing with personal problems, but sometimes she can't help getting personally drawn towards the people that write to her.

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At the beginning of normalisation in the 1970s, the appearance of ideologically tinged stories intensified, but there were also attempts to create unpretentious entertainment, cut almost according to First Republic models. This film develops the confusion surrounding the preparations for the celebration of a golden wedding between a retired miner and his wife... Director Jaroslav Mach relies on situational comedy stemming from misunderstandings and confusions, as well as verbal banter, based on the constant banter between the celebrants.